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Projects and Writing

Selected projects and writing by Lisa Maule

Sat 20 Feb 2021

A Dynamic and Irresolvable Tussle

I created an installation with Sheila Horton on Cuba Street inspired by and referencing the work of Vivian Lynn. It is one of the displays of the Cuba Street Shopfront Takeover on Saturday 20 February as part of the festival 'What if the City Was a Theatre'.

In this installation in the window of Ziggurat on 144 Cuba Street I have made a 'Guardian Gate' - it references the work of artists Vivian Lynn. Triangles because this is a recurring motif in many of my paintings. References to ziggurat's. One of the reviews of Guardian Gates mentions 'ziggurat like' in reference to the hair being wound a certain way. The gate is displayed on it's side - there are three 'ziggurats' / ancient temples.

 

Then there is a costume covered with drawings and paintings of mine, modelled by both myself and Madeline McNamara. The artist is placed in the installation drawing the people watching us and making art.

The title of the installation, 'A Dynamic and Irresolvable Tussle' is a quote from Christina Barton.

Post for the July 2020 Magdalena Project newsletter.

A SIGNIFICANT SOLSTICE - Lisa Maule

 

The winter solstice seemed more significant to me this year. I have started gardening more. Plus I am very conscious of darkness, cold and wellbeing with a global pandemic and the highlighting of centuries of terror through the current #BlackLivesMatter protests very present in Aotearoa New Zealand.

I was born in Te Whanganui-a-Tara Wellington in Aotearoa. My parents came from Scotland and England, both from white ancestry. My grandmother’s family farmed land in Aotearoa purchased in 1912, a legacy of an act of parliament (Native Lands Act 1865) that was “to encourage the extinction of such [native] proprietary customs”.


I see a wealth of women who invest energy into their communities to bring light to injustice. They have always existed. These women propose different ways, educate and share information, model and encourage care and compassion, and to use anger to fuel change. I feel these voices very strongly in the current weeks. I wonder if this is only in my own sphere that this is felt? I am hopeful that white privilege and the invisible whiteness that holds systemic racism firmly in place is being opened up as a concept to white people. I am worried about people retreating back into the tower and slamming down the gates. See the eloquent Lani Wendt Youngs 2019 essay Stories from the Wild for her take on gatekeepers of voice.  The conversation of racism seems to be more everywhere and feels different.

Photo captions / credits​

  • Sketches by Lisa Maule

  • Kia Mau, Resisting Colonial Fictions book (cover art-work by Robyn Kahukiwa) 

  • Lisa Maule, selfie 2020

  • Screen grab from a promo video of “All Roads lead to Ngātapa” 2019 Te Papa Tongarewa, Wellington, NZ. Rongowhakaata Iwi Trust . L to R. Lisa Maule, Kiana Ria Renata-Kokiri and Raiha Moetara

I am looking, and listening and learning – learning when I can influence, learning when to shut up, learning about the history of my family and my people in the world. The Doctrine of Discovery and a timeline of the colonisation of India in relation to Aotearoa are current interests.

 

I am thinking about what I learnt from the Rongowhakaata Iwi Trust performance last year All Roads Lead to Ngātapa about people telling their own stories. #AllRoadsLeadToNgātapa #OURStoryOURWay. It is important for me to consider what the 250 year anniversary of the English ship led by Captain Cook arriving in Aotearoa means. It means violence and domination to me.

“As a mindset, the Doctrine of Discovery reiterates an entitlement to conquer for the sake of imperial expansion. That mindset sits at the heart of the corporate memories, and fuels the process of climate change and ocean pollution which place our very existence at threat.” Tina Ngata 2019 (‘Kia Mau, Resisting Colonial Fictions’ ISBN 978-0-473-49495-7)

 

I am editing Wikipedia, designing for contemporary dance, researching theatre and building a community around a garden space in my suburb. Madeline McNamara, Jade Eriksen, myself and others are waiting news of an application for Madeline and Jade to develop a new show Liminal Splits and Other Basic Deceits.

 

A group of young women present their spoken word at a Black Lives Rally in Tāmaki Makaurau Auckland and a young women MP posts it on social media: “So tell us to be quiet and know that we won’t” Ngā Hinepūkōrero June 2020 https://youtu.be/C5tjP4yndjc. Tina Ngata an author and activist turns her website into a Patreon to get funds for the clarity and research her words create: https://www.patreon.com/tinangata/posts

And I celebrate a small protest in my locale. A street sign perhaps named after Captain Cook was subtly changed to Cock Street.

 

Post script:

The UN’s perspective on the Impact of the Doctrine of Discovery (May, 2012)

 

“The Permanent Forum on Indigenous Issues concluded its eleventh session with the approval of a set of nine draft recommendations, highlighted by a text approved on the special theme, the ongoing impact of the Discovery Doctrine on indigenous peoples and the right redress. That fifteenth century Christian principle was denounced throughout the session as the “shameful” root of all the discrimination and marginalization indigenous peoples face today.

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2019

Design Lab

The Design Lab, was a design focused meeting place for ideas. 

 

ABOUT

Over six months in 2019 the Design Lab was experienced and emerging designers coming together in Wellington to share and strengthen ideas. It was organised by Lisa Maule as a way of building community around work-in-progress.

People brought their work and design questions to discuss in a relaxed atmosphere. All stages of the project were discussed - from forming idea through to after the pack out and all areas of performing arts and events design are included.

 

It was inspirational to be able to hear from others what they made of the ideas and problems encountered as we are in a process.  

The Design Lab was a start up in partnership with BATS Theatre, produced by Luminaire NZ Ltd, and supported by the Wellington City Council's Creative Communities grant.

#theatre #packin #panto
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